This series of acrylic paintings engages with abstraction to explore the fragmentation and concealment of the human form. Composed of angular, overlapping planes rendered in a subdued, monochromatic palette, the works gesture toward the structure of the face without offering resolution or legibility. Figuration is present but destabilised, inviting prolonged looking while withholding narrative clarity. Through this visual language of disruption and reduction, the series interrogates the act of seeing and the limitations of representation.